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2025 , Vol. 44 >Issue 2: 373 - 389

DOI: https://doi.org/10.18306/dlkxjz.2025.02.012

研究论文

现代性视角下民族节庆的文化重构过程、特征与逻辑研究——以土家女儿会为例

  • 胡静 ,
  • 欧阳辰星 ,
  • 李亚娟 , *
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  • 华中师范大学城市与环境科学学院/中国旅游研究院武汉分院，武汉 430079
*李亚娟(1987— )，女，河南许昌人，副教授，硕士生导师，主要研究方向为旅游地理与民族节庆。E-mail:

胡静(1963— )，女，湖北宜昌人，教授，博士生导师，主要研究方向为旅游与区域发展。E-mail:

收稿日期: 2024-05-14

  修回日期: 2024-12-07

  网络出版日期: 2025-02-21

基金资助

国家社会科学基金青年项目(20CMZ033)

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Cultural reconstruction process characteristics and logic of ethnic festival from the perspective of modernity: A case study of Daughter’s Festival

  • HU Jing ,
  • OUYANG Chenxing ,
  • LI Yajuan , *
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  • College of Urban and Environmental Sciences, Central China Normal University / Wuhan Branch of China Tourism Academy, Wuhan 430079, China

Received date: 2024-05-14

  Revised date: 2024-12-07

  Online published: 2025-02-21

Supported by

National Social Science Foundation of China(20CMZ033)

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摘要

节庆旅游强化了民族节庆的现代性建构。论文从现代性视角切入，结合行动者网络理论的转译思路，采用田野调研与空间分析相结合的方法，剖析了土家女儿会的文化重构过程、特征与逻辑。研究表明：① 土家女儿会在旅游驱动下的文化重构模式具有典型的现代性实践特征，可分为依托原生地的在地型、依托城市的异地型和流动型三种模式，不同模式的恩施女儿会的文化重构过程与特征也具有典型的异质性；② 民族节庆的三种文化重构模式经过现代行动者的利益赋予、吸纳联盟、行动动员等一系列过程，呈现出物质层面、制度层面、精神层面的重构过程；③ 在地型、流动型和异地型三种文化重构模式也分别形成了以“祛”失范的生活延续、以“循”主体性的传统回归、以“趋”浪漫化的个性呈现的现代性实践特征；④ 在时空分离、脱域和知识反思在内的现代性动力下，民族节庆的物理空间、节庆规则、节庆功能与意义等得到更新与重塑，且乡村与城市不同维度的文化重构逻辑存在差异。研究可为理解现代性与文化重构、传统与现代等关系，以及破解现代性语境下传统文化传承等难题提供理论与实证参考。

关键词： 现代性; 民族节庆; 文化重构; 旅游实践; 土家女儿会

本文引用格式

胡静 , 欧阳辰星 , 李亚娟 . 现代性视角下民族节庆的文化重构过程、特征与逻辑研究——以土家女儿会为例[J]. 地理科学进展, 2025 , 44(2) : 373 -389 . DOI: 10.18306/dlkxjz.2025.02.012

Abstract

Festival tourism strengthens the modern construction of ethnic festivals. This article started from the perspective of modernity, examined the translation thinking of actor network theory, and used field research data and spatial analysis to clarify the culture reconstruction processes, characteristics, and logic of Daughter's Festival. The results show that: 1) The cultural reconstruction modes of Daughter's Festival driven by tourism have typical modernity practice characteristics, and they can be divided into three different types: "local" based on their original place, and "remote" and "mobile" based on the city. The culture reconstruction processes and characteristics of different modes present typical heterogeneity. 2) The three types of modernity practices in ethnic festivals have undergone a series of processes such as interest granting, alliance absorption, and action mobilization of modern actant, presenting a cultural reconstruction in terms of material, institutional, and spiritual dimensions. 3) Three different modes of festival respectively show different modernity practice characteristics, including the continuation of life by "eliminating" out of norms, the traditions' return of "following" subjectivity, and individuality presentation of "tending" romanticism. 4) Under the dynamics of modernity, including spatiotemporal separation, disembedding, and knowledge reflection, the physical space, festival rules, festival functions, and meanings of ethnic festivals have been updated and reshaped, and there are differences in the cultural reconstruction logic between rural and urban areas. This research can provide theoretical and empirical references for understanding the relationship between modernity and cultural reconstruction, modernity and locality, and solving problems such as the traditional culture inheritance in the context of modernity.

Key words： modernity; ethnic festival; cultural reconstruction; tourism practice; Daughter's Festival

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